The outsider
Antonio Santangelo
–
University of Torino
Cultural models that influence contemporary cinema
Narration and conception of reality
In semiotics, we use to say
narration
is one of the main bases of our way to
conceive reality
.
Greimas, referring to Tesniere’s studies (1959), states that
every text is
narrative
, no matter which genre it belongs to, because
language is narrative
.
Language, in fact, and the sentences we use to define what’s going on around us,
are the
theatre of the short story
of a subject who makes or suffer
actions
,
that have consequences; or the place for the description of a
state
of relations
between the subject and objects or other subjects that surround him.
Some say that language is narrative, because we learn narrative codes
before
any other code. Even before learning to speak.
As far as language is one of the most important
tools for our cognition of reality, narration is very
important for a
sociosemiotics
, because it
contributes to create our
socially shared vision of
reality
.
Linking things and creating an order
The main way to
link things and facts through a narrative pattern
is
declaring the existence of some
cause
–
effect logics
between them.
This definition of a narrative scheme is common to
Propp’s model
, Bremond’s,
Chatman’s, Barthes’ and Greimas’ canonic model.
Lévi
-
Strauss
goes beyond, adfirming that a narrative model can even work with
different logics
: analogy, opposition, transformation, disjunction.
Narration, to the french anthropologist, is simply a way to
link signs in patterns
,
creating an order he defines as the “
grammar
” of a story.
A mirror of culture grammars
My hypothesis is that the
semiosphere
in which the movies get their meaning
(expecially the
commercial blockbuster movies
), works like the the
myths
semiosphere, described by Lévi
-
Strauss.
As it happens in this semiosphere, the
narrative grammars
our culture uses to
read reality and to create its pertinence are
mirrored in the movies structures
,
so that people can watch from the outside their own way of thinking.
The sociosemiotics researcher has to find out the most important
cultural
models
that give form and meaning to the movies, following the idea that those
models don’t give birth only to movies, but also to many other texts, actions and
convictions, that are the basis of our way to live together.
Semiotic structures behind narrative texts
Looking from a narrative point of view, the semiotic structures that are the basis
of narrative texts like movies are not always visible on their
surface
.
Sometimes a way to shoot, to sonorize or to edit a movie is meaningful, because
it transmits a precise idea of how the objects that stand in front of a camera have
to be framed and linked.
Many other times (and the case of commercial blockbuster movies is often like
this) the
perceivable surface
of a movie is not pertinent, for a sociosemiotics
analysis of its cultural models.
Greimas
describes this situation with the different
layers
of his sense generation
model, when he says that everything begins with a configuration of values, that
are connected step by step with narrative roles, themes and figures.
In his opinion, the
manifestation layer
of a narrative text is
not part of its narrative structure, and the demonstration is
that the same story can be told, without changing, through
different media.
Today we know the
intersemiotic translations
create a lot
of problems, because of the meaning the manifestation codes
gain in a culture, but in my analysis I’ll mainly follow Greimas
theories, because they well fit my analysis objects.
Finding the meaning of grammars
Text
Net of
Texts
Semiotic
models
Confirms from
everyday life
Grammar and cultural models behind the pirates
vs
Propp’s model and initiation rites
Sanctioner
role
Outside
Inside
Inside
+
+/
-
-
Refusing your society values
Inside
-
Outside
+
The couple’s nest
vs
Inside
-
Inside
-
Outside
+
Outside
Stillness and lack of sense
Inside
-
Outside
+
No couple
Living together in a hostile world
Inside
-
Outside
-
Moving together
The distrust of the fathers
Road to Perdition
Inside
-
Outside
+
The individualistic outsider
Moving alone
Exploiting the
institutions
Pure desire
Inside
Outside
He knows the
logics of everyboy
The value of a pirate
Is it a pertinent cultural model?
Les passions tristes, 2003
La costituzione ai tempi della
democrazia autoritaria, La
Repubblica, 22/7/08
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